Edit Page
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision | Your text | ||
Line 14: | Line 14: | ||
The cut scratch is also known as a release, chop or stab (sometimes even 'sampling' when done at a basic level), and involves both hands. The record is released (the scratching hand lets the motor take control) whilst the fader is open to let the sound out the speakers, and then the fader is closed whilst the record is rewound back to the start of the sample. If this scratch is to be performed fast rhythmically, the scratching hand must gently push the sound forward to let it catch up to speed quickly (especially true with very slippy [[slipmats]]). The terms chop or stab generally refer to much faster cues of the sound than just a plain cut. |
The cut scratch is also known as a release, chop or stab (sometimes even 'sampling' when done at a basic level), and involves both hands. The record is released (the scratching hand lets the motor take control) whilst the fader is open to let the sound out the speakers, and then the fader is closed whilst the record is rewound back to the start of the sample. If this scratch is to be performed fast rhythmically, the scratching hand must gently push the sound forward to let it catch up to speed quickly (especially true with very slippy [[slipmats]]). The terms chop or stab generally refer to much faster cues of the sound than just a plain cut. |
||
− | ===Tear=== |
+ | ===Tear Motherfucking Gas=== |
[[Image:Tear_scratch_example.png|300px|An example of notated tear scratches]] |
[[Image:Tear_scratch_example.png|300px|An example of notated tear scratches]] |